Abstract
In this article, I aim to draw attention to how human beings’ innate emotional closeness, connectional integrity, and creation feature toward other living things and the causality of coexistence are interpreted in the triad of mind, philosophy, and architecture. Esthetic appreciation for nature is one of the essential human tendencies, and it is biologically encoded in the human structure. The primary function of the structures of nature to create an esthetic effect in man is the maintenance of life. In addition to the geometric properties of biological forms, such as fractal formation and scale invariance, symmetry, self-similarity, and complex hierarchy, indirectly relate humans to patterns and properties of natural elements. The relationship between people and places is manifested not in spatial distinctions but in the transition between perspectives. In this article, I argue that the architectural, philosophical, and artistic triad of the Alhambra Palace is a magnificent labor that can correspond to the concepts of connective totality, biophilia, and fractal.