THE NATURE-CONCEPT IN THE NOVELS OF Sh.MURTAZA

2020

Closed access Metadata (CSL-JSON)
DOI 10.51889/2020-3.1728-7804.43
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

In the article, the oeuvre of Sherkhan Murtaza are discussed in the context of the conceptual-figurative character of natural phenomena for the first time. The literary texts which have been previously studied in the context of various aspects have been analyzed in view of a new approach to the study of the artistic role of landscape. The landscape is considered to be a personal view of the world, reproduced by the writer, and in this regard, research along this cognitive line. As exemplified in the novels of “Aisha”, “Black Pearl”, and “Red Arrow” by Sherkhan Murtaza, the parallels of landscape sketches with the author’s intention are analyzed, resulting in uncovering of artistic concepts of earth, sky, fire, and water. A general idea of the concept-forming role of the artistic landscape in the poetry of Sh. Murtaza was systematized and formed.