Poetic and musicl-structured features of national singing in the songs by the composer M. Eginbaev

2021

Full text Open access: Gold Metadata (CSL-JSON)
DOI 10.51889/2020-2.2077-6861.31
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

This work was carried out as part of the science project «Performing art of Kazakhstan: the national style, traditions and role in the society transformation», No. AR 05135997. The article is intended to identify national poetic and musical structures in the songs of the composer M. Eginbaev. Using the analytical approach of structural methodology, the authors focus on the study of three popular songs of the composer: “Ush Arys”, “Sen Desem”, “Sagynysh nazy”, the subject of studies of which are mainly their structural features. The analysis shows that the formation of the compositional style was mainly influenced by the folk composers and folk songs of the Arka region