LYRISM AND IDENTIFICATION OF IMAGES IN THE PLAY OF A. KEKILBAEV «ABYLAY KHAN»

2020

Closed access Metadata (CSL-JSON)
DOI 10.51889/2020-3.1728-7804.45
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

Kekilbaev's prose is distinguished by the severity of the conflict, the nature of the character's speech. The writer did not diminish these features in the play, if he did not enhance them. In the play, the psychological and dramatic aspect is enhanced according to the laws of dramatic art. The main problem in the play "Abylai Khan" is confusion in feelings, thoughts, actions of people, irresistible dynamics.The article examines the nature of the conflict in the dramatic works of the writer A. Kekilbaev. This article discusses issues that are key to Kazakh literature. The life of the heroes, their composure, features in decision making and their activities are disclosed. In addition, the peculiar similarity and difference of playwrights in creating images has been updated. The author analyzes images of conflict situations from the point of view of the artist’s skill.