Binary-dyadic substructure of modern poetry and its mythical foundation

Aimukhambet Zhanat Askerbekkyzy, Zhuldyzay Kalybekkyzy Kishkenbaeva

2016

Full text Open access: Hybrid Metadata (CSL-JSON)
DOI 10.21661/r-80642
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

The article deals with the role of imagery-aesthetic and mythical origins of binary-dyadic structure in modern lyrics. Taking the findings and conclusions of theoretical scientists, the author analyzes the ways which are used for depicting the clash of controversial feelings of the lyrical character and the split of his inner world. By means of text comparisons there is research made into the display of mythical knowledge in the system of poetic thinking of the dyad, the structure of binary opposition in poetry and conclusions are drawn.