The Effectiveness of Using Visual Art Tools in Noosphere Education: An Example of Determining Motivation to Perceive

2021

Full text Open access: Gold Metadata (CSL-JSON)
DOI 10.51889/2021-3.2077-6861.15
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

The article considers the introduction of the concept of "visual art" into the Kazakh language, in the context of the history of world contemporary art and and the trends of its development, also relevance and preparing students for the "perception of visual art". Based on the scientific works of noosphere education which investigated the evolution of the formation of the brain contour as levels of human thinking, the author offers a "sequential chain of visual art perception", defining "internal needs" (motivations) and "external needs" of students in visual perception. "Brain contour level, thinking" and "visual art perception chain" are seen as important tools in selecting a topic and in determining students' uniqueness. The practical research examines the methods of noospheric education as the perception of all sense organs in the "transformation of traditional decorative art" and the effectiveness of using the tools of "contemporary art" in the formation of new ideas and new thinking.