DIALECTIC INTERACTION OF REALITY AND UNREALITY IN PETER ACKROYD’S WORK “THAMES: SACRED RIVER”

2020

Closed access Metadata (CSL-JSON)
DOI 10.51889/2020-2.1728-7804.22
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

This article analyzes the structure of the concept “Thames” in the literary and regional bestseller of Peter Ackroyd "Thames: Sacred River” as the general cognitive-matrix model that represents the cognitive structure of the whole work. Besides, the concept “Thames” is analyzed within the theory of egocentric categorization of space in language as means of world interpretation. In that aspect, the concept “Thames” is considered as an image of the surrounding space reflected by the creative consciousness of the author. The cognitive-matrix model and space- categorization model assist to disclose the integration of the linguo-country and linguo-cultural cognitive components of the complex concept “Thames” in their dialectic interrelation and interaction as cognitive means of synthesis of Reality and Unreality, dialectics of Space - Time - Continuum in Peter Ackroyd’s work.