Integration of World Literary Traditions and Innovative Artistic Searches in Contemporary Kazakh Prose

2024

Full text Open access: Gold Metadata (CSL-JSON)
DOI 10.30564/fls.v6i6.7098
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

This paper aims to explore the ways, in which contemporary Kazakh prose writers create innovative texts characterized by hybridity peculiar to the era of postmodernism. In our study, we view the prose in contemporary Kazakhstan as a phenomenon of glocalization, since it combines global trends in postmodern literature with an original local flavor. Drawing on the short stories by five distinguished young prose authors and using narrative, hermeneutic and comparative methods of analysis, we identify innovative forms of dealing with social problems and universal values, as well as conveying the characters’ inner feeling in contemporary Kazakh artistic prose. We provide examples of the influence of global artistic techniques on Kazakh literary works and their integration with Kazakh folklore to reflect the fate of the Kazakh people during the period of political and social instability in the country during the transitional period. The results of the qualitative analysis show that young prose authors' creativity forms a new color by integrating national folklore motifs with traditions of world literature based on Gothic and mystical themes. Through hybrid texts based on references to terror and mysticism, they raise issues of national identity and national code in their own unique styles incorporating mythopoetic expressions.