Abstract
In accordance with the anthropolanguage paradigm considered in modern linguistics, the communicative function of language comes to the fore, the tendency to use a linguistic unit is intertwined with the personality of a native speaker, leads to the study of the categories of the image of the author, the linguistic personality, the author's modality in a literary text, distinguishing their features and clarifying the status. The relevance of the research work is determined by the lack of research considering the category of the author's modality in the context of a literary text. The purpose of the research work is to identify the means of transmitting the category of the author's modality in a literary text in the Kazakh and Kyrgyz languages. In the article, the category "author's modality" is considered the basis for the formation of the concept of a literary text. The implicit ways of transferring the category of the author's modality to determine the author's statement and linguistic personality in a work of art are investigated. In a work of art, the author's modality is conveyed through themes, images, concepts, mythologemes, symbols, and anthropomorphism underlying the plots. When considered within the framework of a literary text, modal meanings acquire a subjective-evaluative character. Since the research work was carried out on the analysis of a literary text, the method of complex text analysis was used, i.e., descriptive, analysis, synthesis methods, deductive and inductive methods, semantic-stylistic, contextual method. The author's modality can be determined by the correct interpretation of the information underlying the text (subtext) in a work of art.