Abstract
Introduction Traditional dress constitutes an important medium through which cultural meanings, social identities, and collective memory become materially and visually communicable. This study examines cultural codes in Kazakh and Nogai traditional dress through a qualitative, comparative, and interpretive approach, focusing on how clothing communicated gender, social status, ritual transition, and collective belonging within historically situated cultural contexts. Cultural codes are understood here as socially recognizable configurations of visual, material, and embodied signs through which shared meanings are communicated and interpreted. Methods The analysis combines semiotic interpretation, cultural memory theory, and material culture analysis. The study draws on 25 theoretical, ethnographic, historical, and documentary publications, 24 Kazakh clothing-related artifacts directly examined in two museum collections in Kazakhstan, and six Nogai documentary cases selected from the published corpus. Because the Kazakh and Nogai materials differ in type and empirical depth, they are treated as complementary rather than equivalent forms of evidence. The study therefore adopts an interpretive comparison that explicitly acknowledges this evidentiary asymmetry. Results The findings suggest that Kazakh and Nogai dress traditions share several communicative principles, including the visual marking of gender and social position, ceremonial transition, ornamental repetition, and adaptation to environmental conditions. At the same time, differences in regional history, cultural interaction, and the nature of the available evidence caution against treating the two traditions as either identical or empirically equivalent. Discussion The study supports an interpretation of traditional dress as a culturally situated medium of communication in which material form, bodily display, and socially recognized signs participate in the transmission and negotiation of cultural memory and identity.