Abstract
Inrecentyearsaseriesofresearchworkshavebeenperformed,whichallowedformingofanideaof the harmony and sonority structure of the Kazakh dombra. However, their /vowels/ regional specificity hasnotbeenstudied.Thepurposeofthisarticle,basedontheresearchofdombrasofZhetysubyB.Muptekeev,istorevealthepeculiaritiesofthesound-ordersystemofdombrasofBukeyevtradition.Thearticleusesasystematicapproach to studying the harmony-sound system of the dombra, first proposed by Bolat Karakulov, and alsocontinued in the description of the names of the ladkas-pernet in the article by T. Asemkulov. Bolat Karakulovwasthefirsttocomparetheorderofperneonthedombra,concludingthatthesystemoffret-pernehasregionalpeculiarities. In the study of B. Muptekeyev’s study of the perne dressings on the fingerboard of the dombrafrom the East Kazakhstan has acquired a systematic character. The task of the offered article is to compare andanalyze the specificity of dombras of Western Kazakhstan. The dombra of the Bukeyev school is characterizedbythefixedpernea,h,d,e,whiletheharmonies:candfremainmovable.Composerswhopaidspecialattentiontothesystemofthefret-stringsdombra,duetothesoundingofthefixedfret,alltheabovemusicalinstrumentshavethemovableperneb-saryarka,typicalforKurmangazy’scue«SaryArka».Then,wecanconcludethatthisphenomenonis characteristic of Bukeyev dombras.