Trauma and ritual: the transformation of the identity of the heroine in Zh. Aimauytuly’s novel Akbilek

Cogent Arts and Humanities, 2026

Full text Open access: Gold Metadata (CSL-JSON)
DOI 10.1080/23311983.2026.2684801
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

The aim of this study is to analyze the means by which the traumatic experience and transformation of the protagonist are represented in the novel Akbilek Zhusipbek Aimauytuly. Aimauytuly’s writing strategy makes it possible to trace how ritual, custom, and initiation function as ways of articulating traumatic experience and overcoming it. The authors focus on the ways of processing trauma in a patriarchal Kazakh society through ritual. Ritual is used by the community to formalize the acquisition of a new status by a member of the collective, and in the case of a traumatic event experienced by the community, it serves as a means of symbolic restoration of the disrupted social order. The results of this study demonstrate that ritual actions can serve as a means of expressing and overcoming traumatic experiences, and that the duration of the consequences of trauma is often determined not only by the internal state of the traumatized individual, but also by the conditions and norms of society.