Abstract
Abstract. The article provides a detailed comparative analysis of approaches to editing in auteur and commercial cinematography in Kazakhstan, focusing on how these differences shape different narrative structures and influence viewer perception. The study revealed that auteur, so-called “slow cinema”, is characterized by a viscous tempo, nonlinearity and associativity, based on which it can be concluded that in auteur cinema, editing serves to create a space for reflection and emotional depth. In commercial cinema, on the contrary, editing with frequent frame changes, rhythm, and linearity of the narrative ensures spectacle, dynamism, and accessibility for the mass audience. The article demonstrates how editing reflects the philosophical, aesthetic, and commercial objectives of various trends in Kazakhstan’s cinema. The study found that editing is a key element of cinematic language, not only forming the structure of the narrative but also influencing the viewer's emotional perception.