ARTISTIC ORIGINALITY AND POETIC MASTERY OF SHERNIYAZ’S HERITAGE

2024

Full text Open access: Gold Metadata (CSL-JSON)
DOI 10.53871/2078-8134.2024.3-01
Data confidence 70 medium
How this score is calculated

It is built from checkable properties of the record itself: whether the article has a DOI, how many independent sources confirmed its data, whether the required fields are filled in, and how recent the latest confirmation is. Disagreement between sources and a missing identifier lower it. A value of 80 or above means the record was published without further checking; 60 to 79 means it is published at reduced confidence, with a manual check advisable. A record verified by an editor by hand is never pushed below 90 by a recalculation. This scores our data about the article, not the article itself.

Abstract

The article examines the poetic skill of Sherniyaz Zharylgasuly, the use of language, originality of expression. In addition to Sherniyaz being a famous poet, information is given about Sherniyaz’s literacy, his position as a mullah in the country and his rule. It analyzes Issatai’s participation in the uprising led by Makhambet, his feelings about the era in which he lived. Through the work of Sherniyaz, the image of the era is comprehensively analyzed. The article makes a comprehensive analysis of the work of Sherniyaz Zharylgasuly. In the scientific work Sherniyaz zhyrau’s contribution to Kazakh folklore was analyzed on the basis of linguistic image and explicit author's word usage in the creative laboratory. At the same time, the notion of oratory was considered broadly. Analyzing the concept of “Orator Sherniyaz” in the knowledge of the Kazakh people, the national common features of the worldview of the people, cognition of nature and environment were determined. The article analyzes Sherniyaz zhyrau in the national folklore of Kazakh people, linguistic image and explicit speech turns in his creative laboratory. On the basis of the genres of rhetoric and speech the creativity of the talented poet Sherniyaz, who made colonialism, tyranny and various problems of life the main theme of his works, was defined. Considering the work of Sherniyaz Zharylgasuly as the basis of the history of the development of literature as a literary tradition in the period of transition from oral to written literature in the XIX century, the integration of the results of the study of the poet's work into a unified system will be the scientific basis of the artistic sphere of the creative owner.