Аннотация
This article analyses the effects of rhythm and composition in musical education on the auditory and visual perception abilities of primary schools’ students. By concentrating on the combination of formal rhythmic instruction and culturally sponsored composition activities, the paper seeks to consider how these various aspects of the repertoire might affect cognitive and sensorial growth. Carried out in three schools in Kazakhstan, the study included 90 pupils (aged 7-10 years old) who were equated in terms of number with the control and experimental group. The experimental group completed a 10-week programme including rhythmic technical exercises, movement related forms and composition in traditional Kazakh musical forms. Task evaluations were conducted pre- and post-intervention to assess auditory discrimination, rhythmic memory, visual recognition, score-following accuracy and visual-motor coordination. The students from the experimental group significantly excelled in all the measured dimensions compared to those from the control group. Enhancements were confirmed by both statistical analysis and observational feedback in terms of increased engagement, and timing and multisensory combination. The research clarifies the educational potential of combining rhythmical, compositional teaching with national music traditions, revealing that this encourages not only the development of perceptual capabilities, but also a coherent national identity. It proves that rhythm and composition are not only a means of aesthetic expression but also have beneficial effect on sensory training and cognitive development. The results provide support for incorporating programmed rhythm-based music education into the general Kazakhstan’s curriculum and present a model for local educational systems which may be replicated. The authors’ plans for future work include extending the project to special education settings, assessing long-term retention of perceptual gains, and the development of digital tools to assist rhythm-based learning. This study in general supports the idea that music education that is based on rhythm and composition can be considered an auxiliary for the all-round development of students.