Аңдатпа
The stable motives inherent in the fairy tales of the peoples of the world, and the plots that have become the basis of a number of works, lead to numerous conclusions. Sometimes there are common plots that are reflected in the fairy tales of several peoples. Although the general storyline of the original has been preserved here, its characters act in accordance with the concepts and essences of each nation. Each fairy tale begins with a specific ancient story. The main purpose of the work is to determine the appearance of Indian legends imbued in Kazakh fairy tales, to tell how the nomadic plot, common to many ancient monuments, came to Kazakh soil, how it influenced our literary relics, changed the complexion. For this purpose, the method of comparative analysis of the plots of Indian fairy tales and plots in Kazakh fairy tales was used. The novelty of the research is the discovery of similarities and commonalities in Kazakh fairy tales and Indian monuments. It is assumed that nomadic plots penetrate into Persian fairy tales from Indian monuments, and from there they intertwine with Muslim teachings and penetrate into Kazakh fairy tales. The task is to draw a conclusion by highlighting the common elements characteristic of Kazakh fairy tales and Indian monuments. As for the results of the study, there are many examples of mutual similarity of plots in the literature of the peoples of the world. These plots come in different ways, merge with each other and become the basis for a new work. Despite how many changes have occurred, it is not difficult to find out its origin. There are plots common to all ancient Indian monuments given in the article. Since universal human values are at the heart of history, the common perception of time does not create mutually exclusive plots.