Аңдатпа
This work is devoted to the study of the Baikadam Karaldin dynasty, which made a significant contribution to the formation and development of the cultural and spiritual environment of the Torgay-Kostanay region. The relevance of the topic is justified by the fact that in Kazakhstani musicology, the study of musical dynasties has not yet received comprehensive and systematic coverage. This work continues the line of research related to issues of cultural memory, regional traditions of Kazakhstan and ethnomusicology, focusing on the role of continuity and dynasticity in the evolution of national musical culture. The aim of the study is to identify and analyse the role of the Karaldin musical dynasty in the development of the musical culture of the Torgay-Kostanay region. The methodological basis of this work consists of the principles of historical-cultural, comparative and systematic analysis. It should be noted that comparative analysis is used to a limited extent and locally, since during the period under consideration, Kazakh musical folklore existed mainly in oral form. For these reasons, the possibility of reconstruction and comparative analysis is currently limited. Taking into account the temporal distance and fragmentary nature of the source base, such analysis is local in nature and aims to identify the problem and create a methodological basis for further studies of regional musical tradition. The process of studying musical dynasties in the cultural memory of our republic is of considerable interest to contemporary musicology, as it provides an opportunity to examine the continuity of traditions, certain features of the formation of regional schools, and the role of specific individuals in preserving cultural heritage. In this regard, the musical dynasty of B. Karaldin is one of the most striking examples. The value of this study lies in the systematisation of various sources and the introduction of the study of musical dynasties into Kazakhstani musicology. The practical significance of the work lies in the applicability of the results obtained in Kazakhstani musicology, in educational courses on ethnomusicology, the history of Kazakh music and cultural studies.