Аңдатпа
This article examines the initiation plot in Aslan Zhaksylykov’s novel “Dreams of the Damned” against thebackdrop of collective nuclear trauma caused by the Semipalatinsk nuclear tests. The study is relevant due tothe limited scholarly exploration of initiation plots in post-Soviet Kazakhstani literature and the need to interpret literary texts through the lens of historical, cultural, and philosophical trauma. In the context of globaltransformations, ecological and social catastrophes, preservation of cultural memory and understanding ofcollective experience acquire special significance, making Zhaksylykov’s work a particularly important object of inquiry. The study aims to identify and systematize the initiation structures in “Dreams of theDamned” and interpret them through the conceptual models of Joseph Campbell, Victor Turner, and Arnoldvan Gennep, as well as to analyze how the text reproduces collective trauma and generates artisticphilosophical reflection. The methodological framework is interdisciplinary, integrating philosophical, literary, and cultural analysis. It employs Campbell’s concept of the “hero’s journey” van Gennep’s stages of therite of passage, and Turner’s ideas of liminality and communitas, allowing tracing of the main characters’transformation through separation, liminality, and reintegration into a new identity. Special attention is givento symbolic and mythopoetic elements, including dreams, ancestral images, the motif of the land, shamanicpractices, and interaction between individual and collective experience within historical trauma. The noveltylies in interpreting the novel as a spatial initiation ritual combining local Kazakh cultural codes with universalstructures of ritual and personal transformation. The article addresses issues insufficiently studied in Kazakhstani literary criticism: character metamorphoses under trauma, interplay of personal and collective narratives, and the role of philosophical prose in rethinking historical catastrophes. The analysis shows that“Dreams of the Damned” constructs a multilayered narrative and symbolic structure enabling readers to undergo initiation alongside the characters, comprehend traumatic experience and cultural memory, and assessliterature’s potential as a medium of cultural healing. Zhaksylykov creates not merely a literary work about anuclear catastrophe but a universal philosophical text on the transformation of the individual and society under destruction, offering new approaches to studying post-catastrophic Kazakhstani prose.